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Jagmohan _

NATIONAL INSTITUTE OF DESIGN

I am a lifestyle accessory designer from Odisha with a deep-rooted love for craft and cultural narratives. Educated at the renowned National Institute of Design (NID), Gandhinagar, he believes that design is not just about solving problems—it’s about creating meaning and shaping experiences. Growing up amidst rich folk traditions like Dhanujatra, I developed a strong emotional connection with handmade objects and vernacular aesthetics. My passion extends beyond products, finding equal excitement in art installations, textile narratives, traditional techniques, and experimental material play. Whether it’s the tactile quality of fabric, the spatial drama of installations, or the silent poetry of form and texture, I embrace every medium as a way to express my design philosophy. To me, a well-designed object is not just functional—it becomes part of life, memory, and identity. My work reflects a constant curiosity and enthusiasm to learn, reinterpret, and celebrate the world through design.

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Tangaa

Category: Interior

Competitions: Home Competition 2025

The hanger has been thoughtfully designed to serve a dual purpose, functioning not only as a practical object for hanging everyday clothing and accessories, but also as a visually appealing decorative element in any interior space. The intention was to create a product that maintains its aesthetic presence even when not in use, contributing to the overall ambience of the room. The form of the hanger is inspired by two seemingly contrasting yet organically fluid references: the petals of the Champa flower, a bloom commonly found in my region, and Medusa, a figure from Greek mythology known for her flowing, serpentine hair. This blend of local natural beauty and mythological symbolism helped shape a form that feels both grounded and imaginative. The hanger is crafted out of bamboo, a material I deeply appreciate for its strength, flexibility, and sustainable qualities. I am particularly drawn to organic forms and the tactile nature of handcrafted objects, both of which played a central role in the making of this piece. The structure was shaped using traditional bamboo bending techniques, applying controlled heat to curve the material in a fluid and natural manner. This process required patience and attention, allowing the bamboo to express its inherent character. The final surface was treated with linseed oil, enhancing the texture while offering protection and a subtle sheen. Overall, the piece reflects a balance between function and form, craft and concept, celebrating the potential of everyday objects to be both useful and beautiful.

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BASANTA

Category: Interior

Competitions: Home Competition 2025

As part of my design exploration, I decided to venture into the world of dining tabletop accessories—a category I had not worked with before. This felt like an exciting opportunity to challenge myself and explore a new area within product design. To gather inspiration, I went for a walk one afternoon. The warm, golden tones of sunlight and the scattered dry leaves around me created a calm and earthy atmosphere that stayed with me. I was drawn to the natural beauty of bamboo and chose to highlight its character by working with a yellow-wheat color palette that reflected the tones I had observed in my surroundings. The simple and elegant shapes of the leaves I saw seemed to perfectly match the form language I imagined for the accessories. Their soft curves and minimal nature became a key influence in my design process. To understand what people use on dining tables, I spoke to a few individuals. From these conversations, I found that the most appreciated products include a set of coasters, condiment servers, a flower vase, and a tissue paper holder. These insights helped shape the direction of my design and gave purpose to the forms I was creating. I designed and crafted these autumn-inspired tabletop accessories using bamboo for a class assignment. My goal was to maintain a balance between simplicity and richness, ensuring the forms stayed clean but didn't adhere to an overly minimalistic design approach. To enhance the natural feel, I applied bamboo dust to create a subtle texture on the surface. 1- The condiment server. It is a compact, Eye-shaped box made of bamboo. It features two small bamboo boxes with a lid with the same bamboo dust texture, providing a stylish and functional solution for serving your favorite autumn-inspired condiments. The design is minimalistic, emphasizing the purity of the bamboo material and its warm, golden-brown color. 2- The flower vase. It is a slender, cylindrical piece made entirely of bamboo. The vase stands tall on a circular disk made up of bamboo strips and bamboo dust sprinkled upon it, embracing the simplicity of its design. Its height provides an excellent canvas for showcasing your favorite blooms, a bouquet of rustic, earth-toned flowers, celebrating the essence of autumn. 3- The coaster set. It consists of six circular coasters, each made up of bamboo strips to maintain continuity in design. The bamboo coasters have a smooth, matte finish and are decorated with bamboo dust. These coasters not only protect your surfaces but also bring a touch of nature indoors, creating a sense of tranquility. 4- The tissue paper holder. It is a simple, square-shaped design crafted from bamboo, embracing the natural aesthetics of the material. The bamboo's finish exudes a calming and soothing aura, perfect for adding a touch of warmth to any room. The tiny holder ensures that tissues always stay within the compartment, subtly enhancing the atmosphere of your living space.

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