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Samantha Gillett-Jones

De Montfort University

Samantha Gillett-Jones is an emerging designer with a materials first approach to her designs, placing the textile opportunities of each material at the centre of their creative process. Throughout their third year, they focused extensively on working with leather, taking part in a variety of beneficial experiences such as a dedicated bag making week and a wet molding and gilding session. These opportunities deepened their understanding of leather craftsmanship and its versatile applications in both fashion and elsewhere. Bringing her identity as a transgender woman into her work, 'His end was peace' looks into the stigma that surrounds gender reassignment surgery in what is often seen as brutal and unnecessary. She contrasts the harsh metal staples and hardware with a floral pattern, bringing in research into Victorian times, as she explores the concept of mourning her former self pre transition. Her most recent collection title 'His end was peace' explores a variety of methods including metalworking, gilding, and the innovative use of repurposed materials, such as creating custom embossing plates from leftover acrylic sourced from other students’ work. Always dedicated and eager to enter into the industry, Samantha is eager to continue exploring new textile applications and experimental techniques to inform and evolve their future designs.

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His End was Peace - Samantha Gillett-Jones Final Major Project

Category: Apparel

Competitions: Fashion Competition 2025

My final major project titled 'His end was peace' explores the stigma surrounding transgender surgeries and the portrayal of it in the media. Looking into how it is often considered 'mutilation' by newspapers and right wing politicians, I used leather as a means to emboss my own floral pattern onto it to contrast the harsh realities of the surgery that is shown through the use of oversized staples and detached pieces held together by lacing with leather thonging. After researching into how I could emboss the leather and seeing that it wasn't possible through traditional means, I created my own embossing plates by using discarded acrylic sheets and laser cutting the patterns into it. This was then put into a printing press along with the soaked leather, once the force was applied the shape stayed, particularly on the veg tanned leather where the unbound tannins help to hold the shape . For the chrome tanned sections on the underarms of the jacket where the pattern was likely to fall out over time, silver leaf was applied onto sections so that the pattern could still be seen. Working with leather throughout my final year has been such a beneficial and enjoyable experience, and I cant wait to see where it takes me next. Thank you so much for your consideration, Samantha GIllett-Jones

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