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Hejing Wang

Kingston School of Art

Womenswear designer specialising in weaving, deconstruction and craftsmanship currently studying MA Fashion at Kingston School of Art. My work focused on the exploration of structural forms in design. During my MA, I mainly explored how traditional basket weaving techniques can be integrated into contemporary fashion design in a sustainable way. With a background in economics, I usually draw my design inspiration from social and cultural contexts. I enjoy using traditional craftsmanship as the basis for my fabric manipulation.

Scaffolded Bodies

Category: Apparel

Competitions: Fashion Competition 2026

Scaffolded Bodies explores women’s emancipation after World War I, focusing on how they actively construct their own lives through labour and independence. Taking women working in high-altitude construction as a starting point, the project highlights resilience, courage, and agency. Through weaving as both technique and metaphor, it reflects the idea of “building a life,” where threads form scaffold-like structures that symbolise continuous self-construction and reconstruction. This project explores how traditional basket-weaving techniques can be reinterpreted in contemporary womenswear through sustainable design. Using recycled cotton denim, the garment transforms a familiar everyday material into a sculptural textile, creating volume and structural forms while minimising waste. To reduce waste of fabric, I remove the shoulder seam allowance about 2cm. The design deconstructs conventional denim construction by replacing traditional sewing with recycled YKK metal rivets at the lower section of the garment. The rivets function both as structural connectors and decorative elements, creating intentional gaps and flexibility. This approach highlights the raw edges of the woven denim, emphasising a deconstructed aesthetic while allowing the garment to adapt and move with the body. Inspired by traditional craftsmanship, the project combines fabric manipulation with modern construction techniques to preserve cultural heritage in a contemporary context. By rethinking the relationship between material, craft and silhouette, the design demonstrates how sustainable materials and handcraft can coexist to create innovative fashion with both aesthetic and environmental value.

Working with our partners at Arts Thread to develop lifelong learning and career opportunities for students of fashion and design. Our partnership provides the opportunity to compete on a world stage, participate in industry led workshops, set up an outstanding portfolio and gain access to the resources that will kickstart careers in fashion and design.