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Shini Wang

NABA Nuova Accademia di Belle Arti

My name is Shini Wang, a textile and knitwear designer graduated from the Fashion and Textile Design program at NABA in Milan. My work focuses on knit structures and material expression, exploring the relationship between textile construction, body silhouette, and emotional narrative. My design process often begins with personal experiences and subtle observations from daily life. Through knit structures, layered colors, and material contrasts, I aim to translate abstract emotions into tangible garments. I am particularly interested in the possibilities of knitwear construction and how different techniques can shape both visual and tactile experiences. In my practice, I tend to combine structural thinking with poetic imagery, building a quiet yet emotionally resonant design language. For me, textiles and knitwear are not only technical mediums but also ways to carry memory, emotion, and personal storytelling.

Il Nido – Textile Structures of Memory and Permanence

Category: Apparel

Competitions: Fashion Competition 2026

Il Nido is a textile research project that explores the invisible emotional bond between those who leave and those who remain. Inspired by the phenomenon of Chunyun, the project reflects on themes of distance, waiting, and memory as conditions of contemporary life. The research is grounded in the traditional Chinese intangible cultural heritage of Xiabu (ramie textile), reinterpreted through contemporary material experimentation and craft-based innovation. By engaging with this heritage not as a fixed tradition but as a living process, the project seeks to extend its relevance within a modern design context. Focusing on ramie, a natural fiber deeply rooted in Chinese textile culture, the project develops a series of woven textile samples through hand weaving, exploring its resistance, flexibility, and its ability to embody time through manual processes. Through weaving, repetition, and structural experimentation, the textile surface becomes a space where time accumulates and emotions take form. Rather than designing a functional product, the project approaches textile as a process and a language. Structures such as plain weave, honeycomb, and monk’s belt are used not only as technical systems, but as metaphors of continuity, accumulation, and daily repetition. In this context, the textile is not simply a material outcome, but a reflection on presence, care, and the slow construction of relationships over time.

Working with our partners at Arts Thread to develop lifelong learning and career opportunities for students of fashion and design. Our partnership provides the opportunity to compete on a world stage, participate in industry led workshops, set up an outstanding portfolio and gain access to the resources that will kickstart careers in fashion and design.