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Dvir Tsimbler

Shenkar College of Engineering, Design and Art

My name is Dvir Tsimbler, and I am a fashion design Student at Shenkar College of Engineering, Design and Art in Israel. Since childhood, I have been deeply drawn to creativity, visual culture, and the emotional power of aesthetics. Over the years, this passion naturally developed into a strong connection to fashion design, material experimentation, and storytelling through garments. My work combines traditional craftsmanship with contemporary technologies and focuses on the relationship between the body, emotion, and materiality. I enjoy exploring contrasts such as softness and rigidity, transparency and concealment, fragility and strength. Through techniques including leather molding, resin treatment, textile manipulation, and 3D printing, I aim to create garments that feel sculptural, tactile, and emotionally expressive. I am naturally curious and constantly seek opportunities to learn, experiment, and challenge myself. I enjoy working across different creative disciplines and believe that innovation comes from combining emotional sensitivity with technical development. As a designer, I aspire to create work that feels both artistic and lasting, while encouraging a deeper emotional connection between people and the clothing they wear.

Website

Preserved Movement

Category: Apparel

Competitions: Fashion Competition 2026

“PETRIFIED” is a fashion collection exploring the relationship between the body, transformation, and permanence through sculptural fashion and material experimentation. Inspired by mythology and the emotional symbolism of protection and vulnerability, the collection examines the tension between softness and rigidity, transparency and structure. The submission, titled “Preserved Movement,” focuses on the transformation of delicate natural materials through sculptural treatment techniques. Constructed primarily from silk textiles, the garment explores the dialogue between fluidity and permanence through the selective application of transparent resin. The dress captures a moment suspended between movement and stillness. The silk maintains its natural softness, lightness, and movement, while resin-treated sections create rigid, almost frozen structures across the body. This interaction between softness and structure reflects the emotional tension between vulnerability and preservation. Rather than overpowering the natural textile, the resin treatment was applied selectively to preserve the silk's tactile beauty, transparency, and fluid movement while reinforcing sculptural areas of the silhouette. The result is a garment that feels simultaneously organic and architectural. The project challenges disposability by focusing on emotional durability, craftsmanship, and material longevity. Instead of creating temporary fashion, the work approaches garments as collectible objects intended to maintain both physical and emotional presence over time. Combining traditional draping techniques with experimental material development, the project presents a vision of contemporary luxury rooted in individuality, tactility, and lasting emotional connection.

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