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Rhys Morrow

Savannah College of Art and Design (SCAD)

As a designer and studio artist, my practice sits at the intersection of wearable art and the gallery space. My work at the bench is informed by a range of parallel disciplines: researching, gardening, film photography, and flower arranging. These activities sharpen my sensitivity to the process, repetition, and care of creativity. Through this intentional engagement with various mediums, I see new meanings and alternative approaches to jewelry making. Rooted in my creative nonfiction writing background, I strive to create unique, thought-provoking pieces supported by meaningful observation and concept development. Ultimately, I aim to create art in all aspects of life that provokes its viewer to pause for a moment in a world of rush.

Website

The Home/Body

Category: Accessories

Competitions: Fashion Competition 2026

The Home/Body Collection fosters intentional connection in a world closing its doors to the art of hosting. Each piece reflects a deliberate material sensitivity, balancing sterling silver that mimics soft creased fabric, held together by the grounding warmth and structure of wood, connected by the pliability and utility of leather. Becoming an active participant in hospitality, The Home/Body collection blurs the line between personal decoration, functional object, and human connection. To me, a sustainable future lies in the intentionality of the object. The Home/Body collection features tools for hospitality that are structurally built to endure, creating heirloom-quality work meant to resist the disposable cycle of trend-driven design. For example, the wood utilized throughout the collection is entirely repurposed from furniture industry off-cuts. These scraps were once deemed unusable, but the perfect scale for jewelry and accessories. The walnut is a regenerative and biodegradable material, which I finish with a non-toxic, food-safe natural oil. Paired with the durability of metal, these pieces are created for daily wear, and every component, from the wood to the metal to the leather, is designed to be repaired or replaced over time. The deer skin leather also helps fight against the large amounts of leather from the meat industry entering into our landfills and emitting greenhouse gases. Ultimately, by designing these pieces with transformable functions, serving as both personal adornment and tools for hospitality, I ensure the work remains active, useful, and valued for a lifetime.

Working with our partners at Arts Thread to develop lifelong learning and career opportunities for students of fashion and design. Our partnership provides the opportunity to compete on a world stage, participate in industry led workshops, set up an outstanding portfolio and gain access to the resources that will kickstart careers in fashion and design.