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KEWEI Zhao

Rhode Island School of Design

Kewei Zhao is a designer and artist based in Brooklyn, New York. She holds a degree in Industrial Design from the China Academy of Art and an MFA in Furniture Design from the Rhode Island School of Design. In 2024, she established Studio ZKW, focusing on furniture design and cross-disciplinary work. Her practice spans furniture, sculpture, painting, and product design, with an emphasis on material experimentation and the integration of craft techniques. Recent projects include the original sewn wood veneer process, applied in both functional and conceptual works. Zhao’s work has been exhibited at the Hangzhou International Expo 2020, where she was recognized as one of the top 50 emerging designers, and at ICFF during New York Design Week in 2024 and 2025. Her work has received accolades, including the A’ Design Award, NY Product Design Award, and SIT Furniture Design Award.

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Walnut Weave Cabinet

Category: Furniture

Competitions: Home Competition 2025

This cabinet showcases a distinctive material innovation: weaving walnut veneer into a textile surface. By integrating wood into an element traditionally made of fabric, the design blurs the boundary between rigid and soft materials, offering a tactile and visual experience that is both unexpected and harmonious. Each wooden board undergoes a meticulous selection process based on its grain and color. The eye follows its grain all around the cabinet, building a consistent sense of viewing and a surprise when walking close to it. When illuminated by sunlight, the woven surface casts intricate, delicate shadows that enrich the spatial atmosphere. The textile panels are handwoven from cotton thread and thin strips of walnut veneer—a technique that cannot be replicated by machines. Due to the natural hardness and fragility of the veneer, the weaving process demands continuous, precise adjustment of tension: tight enough to secure each strip, yet flexible enough to preserve structural integrity. Each piece of veneer is carefully selected for its grain and tone, ensuring a cohesive visual rhythm that draws the eye seamlessly across the cabinet’s surfaces. Constructed entirely from walnut, the cabinet’s classic trapezoidal form is elevated by three woven side panels. The veneer is woven more densely near the frame, creating a subtle gradient in both appearance and texture. From a distance, the interplay between the solid frame and the woven panels generates a soft harmony of warm brown tones; up close, the viewer discovers that even the “fabric” is made of wood. Inspired by nature’s sense of balance, this work reinterprets familiar forms through material experimentation and handcraft. It invites close interaction—not only through visual intrigue but through a sensory richness that bridges structure and softness, tradition and innovation.

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